Johnny Cash and Jimmy Buffet Get 180-gram Reissues

180 Gram Records announces the release of Johnny Cash and Jimmy Buffet on 180-gram vinyl, available for a limited time through Kickstarter.com. This music project with Kickstarter involves all 7-LPs from Johnny Cash’s early work for Sun Records, and two of Jimmy Buffett’s earliest albums from Barnaby Records.

Each collection will be created in the best audiophile format available today: 180-gram virgin vinyl. 180-gram vinyl is a premium format chosen by audiophiles for its warm, rich tones, increased durability after many playbacks, and exceptional audio reproduction. In addition, 180 Gram Records will be using all original artwork and masters for the production of both artists’ works.

180 Gram Records’ Mark Carter says, “Our goal is simple: to honor and commemorate the artistry of the amazing performers and musicians who have contributed to our rich heritage of popular music, by re-releasing their albums in the best audio format available.” This will be the first re-release of either group of works, in vinyl, since their initial pressings. Kevin Gray of Cohearant Audio will master each collection, with the manufacturing support of Chad Kassem at Acoustic Sounds/Quality Record Pressings.

Supporters of this project will be helping to restore the music and art of these never-re-released LPs, support the continuing growth and restoration of vinyl records, and promote great music to all generations of listeners. Pledges can be as little or as much as they choose and each supporter will receive any or all of these albums, depending on the amount of donation.

Multiple pledge packages are available, each with a thank you gift to the donator. Choose from bronze, silver, gold, platinum or double platinum packages or make a donation of your own chosen amount. There is a deadline for this project so time is essential.

180 Gram Records is a premier producer and distributor of collectible vinyl records from best selling music artists and other limited-run collectible merchandise. They offer select and expertly crafted items to satisfy the demands of collectors, music enthusiasts, and fans alike. For additional information about either collection or about 180 Gram Records, please visit their web site at http://www.180gramrecords.com.

Tips for Buying Used Vinyl Records

I have been told by my readers that I failed to provide tips for buying used vinyl records. I know the disappointment of bringing a treasure home only to find it won’t play. Unfortunately, no matter how careful you are when buying used vinyl records you will occasionally find an album that is too noisy, full of pops, or has a skip that was hidden by gunk.

Which albums you bring home depends on your collecting goals. You may demand perfect vinyl or first pressings, which means you are going to spend Image of a scratched recordmore time flipping than listening to records. My movie collection is pristine and I wouldn’t consider anything but a perfect cover and disc. My philosophy for vinyl is very different however, I am looking for vinyl records I can listen to but damaged covers or dirty records don’t bother me as long as they sound right.

Cover Condition

The first thing you look at is the cover and most of the time the condition of the cover is a good indicator of the records condition. If you are picky about covers you will want to look for crushed corners, writing (usually a name,) worn edges, and fading. One exception that seems counter intuitive is punch holes. Punch holes are common and designate promotional albums most of the time and they usually do not affect the value of a record. If cover condition is important to you then you will fly through the bins of used vinyl. If, like me, cover condition is of little concern you will still be in the first bin when Mr. Perfect Cover is leaving the store and deciding where to shop next.

First look at the vinyl record

Right off I want to say that every album deserves to be handled carefully to avoid damage. I can’t tell you the number of times I have watched some dumb ass putting finger prints all over a used disk or being too lazy to put the disc back in its sleeve and dumping it into the cardboard cover instead. Show a little respect no matter the condition of the record.

Checking the condition of a used vinyl record is best done in bright sunlight but the odds of having more than lousy florescent lighting available are slim to none. Consider keeping a small LED flashlight in your pocket. Look at each side from various angles to identify scratches, mold, dirt, fingerprints, or any other possible contaminate.

Deep scratches should eliminate an album immediately; you simply can’t fix a big scratch. Small scratches however are likely to play fine and not affect the sound. You will have to gauge how many scratches are too many. Often this is determined by the price of the album, if it is a two dollar record I am more likely to try it with more scratches and am often surprised by how playable the record is. It is also common to find that you wasted two dollars so keep your ultimate budget and goal in mind.

Be extra careful with dirty, dusty records. Touching them or even sliding them in and out of the sleeve with create more tiny scratches. It is also difficult to gauge the overall condition of these albums and as stated previously, the price will dictate if you want to take a risk. Dirt and dust is fairly easy to deal with if you are willing to put a little extra time into cleaning it. I have had great luck cleaning very dirty records with a combination of Dawn detergent, a soft 2″ paint brush, and one or two rounds through a Spin Clean Record Washer.

Mold

Finding mold makes buying a record even riskier. Some mold will damage and degrade the vinyl, sometime to the point it becomes unplayable. I generally avoid mold.

Fingerprints

Fingerprints are the true bane of collectors. Fingerprints on a vinyl record can be difficult to remove but usually won’t affect the sound. If seeing a fingerprint on your record will drive you nuts it is best to leave it behind for another collector.

Other considerations

Traditional used record stores and dealers will likely clean the vinyl record before putting it out for display. Most do a nice job and use a quality automated record cleaning machine. Others use less conventional methods. If I find a record that shines like polished chrome I become wary. The temptation for a dealer to use household cleaners or vinyl rejuvenator to make a record gleam is high. A shiny record attracts buyers but my experience has been that these albums will be noisy and often have a heavy residue that collects grime and potentially damages your needle.

Conclusion

Don’t be afraid to ask a dealer to spin the record for you, it ensures you know what you are getting but this isn’t an option if you are shopping anywhere but a used record store. Consider buying an inexpensive portable turntable for those times when a dealer can’t play the album for you.

Only you can determine if a vinyl record is worth taking a risk on. After a little time buying used vinyl you will begin to instinctively know what looks right and more importantly, what doesn’t.  The simple act of flipping through mountains of used records is much like panning for gold, the excitement of not knowing how close a nugget is to your hand keeps us going. No matter what you are looking for, it is out there somewhere just waiting for you to find it.

Keep all of these suggestions in mind and your next vinyl record hunt will be better than ever. Happy hunting.

Jimi Hendrix Winterland Releasing on Vinyl

Winterland is drawn from six stellar shows recorded over three days (October 10, 11 and 12, 1968) at San Francisco’s historic Winterland Ballroom. These special performances celebrated the two year anniversary of the Jimi Hendrix Experience and came just as the groundbreaking album Electric Ladyland was released.

Winterland presents some of Hendrix’s most spectacular guitar work and is filled with rare live versions of classic songs such as “Manic

Depression,” ”Are You Experienced?,” “Tax Free,” and “Little Wing” that are not part of any other Sony Legacy release. Fans will also enjoy Hendrix s dramatic interpretations of Cream s “Sunshine Of Your Love” and Howlin Wolf s “Killing Floor” [with the Experience joined by Jefferson Airplane bassist Jack Casady] as well his rendition of Bob Dylan s “Like A Rolling Stone,” which has been selected as the lead track for this special release.

This special deluxe box set features never before released music from each of the six unforgettable Winterland performances. The new standard and deluxe editions of Winterland are markedly different from a single disc compilation, long out of print, that was briefly issued by Rykodisc in 1987 and 1988.

The deluxe edition also presents a rare interview with Hendrix recorded backstage at the Boston Garden a few weeks after the Winterland performances. This previously unreleased bonus provides fans with a unique window into Hendrix’s views about his background, his approach to the guitar and songwriting and future direction of his music.

The deluxe edition also features a 36 page booked filled with previously unpublished images by acclaimed photographers Robert Knight, Allen Tannenbaum and Jim Marshall as well as an essay by noted Rolling Stone journalist David Fricke.

The bonus disc features an amateur stereo recording made of Jimi’s sold out February 4, 1968 Winterland performance.

This official bootleg recording showcases Jimi’s love for the blues and includes versions of Howlin’ Wolf’s “Killing Floor,” the Muddy Waters influenced “Catfish Blues” as well a majestic rendition of “Red House”. The recording also features an impromptu, extended rendition of Traffic’s “Dear Mr. Fantasy” with Buddy Miles sitting in for Mitch Mitchell. “Dear Mr. Fantasy” is presented here in two separate parts. When the recording was originally made, the first side of the tape ended abruptly and came off the spool. The tape operator then hurriedly flipped the reel over, rethreaded the tape and snapped on the record button.

Fortunately, this rough hewn, soundboard recording survived and provides another compelling chapter in Jimi’s rich legacy.
This is available for a limited time only.
Track Listing:

Tax Free
Lover Man
Sunshine of Your Love
Hear My Train A Comin
Killing Floor
Foxey Lady
Hey Joe
Star Spangled Banner
Purple Haze

Tax Free
Like a Rolling Stone
Lover Man
Hey Joe
Fire
Foxey Lady
Are You Experienced
Red House
Purple Haze

Fire
Lover Man
Like a Rolling Stone
Manic Depression
Sunshine of Your Love
Little Wing
Spanish Castle Magic
Red House
Hey Joe
Purple Haze
Wild Thing

Foxy Lady
Are You Experienced
Voodoo Child
Red House
Star Spangled Banner
Purple Haze
Jimi Hendrix:Boston Garden Backstage Interview

(Amazon Exclusive Disc)
1.Killing Floor
2.Red House
3.Catfish Blues
4.Dear Mr. Fantasy [Part One]
5.Dear Mr. Fantasy [Part Two]

How to use The Spin Clean Record Washing System

The Spin Clean Record Washer system works as well as most and almost as well as any automated mega dollar record machine I have tried. It is especially good at cleaning very dirty records.

It doesn’t take long to get the hang of identifying the discs that you can simply run through the Spin Clean Record Washer system and those that need additional work. For the latter, I use a soft bristle paint brush and a drop of Dawn dish detergent, followed by a rinse of tap water before moving on to the Spin Clean Record Washer.

Note: I have found that you must let the record air dry for an hour or so before playing no matter how dry it looks after using the cloth.

1. Remove lid from the SPIN-CLEAN® RECORD WASHER SYSTEM.
2. Remove the supplied drying cloths, rollers, and cleaning solution.
3. PRE-WASH the drying cloths in your washing machine prior to using them. Pre-washing the cloths will make them fluffy and more absorbent for drying your records.

 

• If washing other clothes with the drying cloths, wash ONLY with whites, detergent, and bleach
• DO NOT USE ANY fabric softener or dryer sheets
• Cloths are REUSABLE – re-wash as necessary

4. Remove the rollers from the supplied package. Insert the rollers into one of the three roller positions. See table below:
ROLLER POSITION RECORD TYPE DISTANCE
1. Outside 33 rpm (LP) 12”
2. Center 78 rpm 10”
3. Inside 45 rpm 7”

5. Fill the SPIN-CLEAN® RECORD WASHER MKII with distilled water to the indicator line on the inner side-wall of the basin. You can use tap water if distilled water is not available.
6. Pour Washer Fluid MKII directly over the top of the inserted brushes in the wash basin – using the amounts listed in the following table:
WASHER FLUID MKII CAPFULS
4 oz. 3
8 oz. 1
16 oz. 1
32 oz. 1

The Washer Fluid MKII encapsulates the dirt and forces it to the bottom of the basin, preventing it from being re-deposited onto the record. The bright yellow color of the SPIN-CLEAN® Record Washer MKII allows you to easily see the dirt collecting at the bottom when you are done cleaning.
Each time you prepare the unit for a cleaning session, the bath will clean 20-50 records. The actual number of records will vary depending on how dirty your records are.
7. Insert your record into the SPIN-CLEAN® Record Washer System MKII.

8. Rotate the record CLOCKWISE three times and then COUNTER CLOCKWISE three times.
9. Carefully remove and wipe the record with the pre-washed reusable drying towel in a CLOCKWISE CIRCULAR MOTION.
10. Once dry, your record is ready to be played or returned to its sleeve.
WHEN YOU ARE FINISHED CLEANING YOUR RECORDS,
11. Remove the brushes from the basin, rinsing THOROUGHLY with

warm water, press out any excess liquid, and let them AIR DRY
on top of the unit. We DO NOT RECOMMEND leaving
brushes in the unit filled with solution unless you are washing
records.

We recommend a “cleaning session” where you set aside a period of time and clean as many records from a single basin filling. If you choose to fill the unit and only clean a few records, you can save the solution in the basin with the lid on for up to ONE WEEK – but you MUST remove the brushes, rinse thoroughly with warm water, press out any excess liquid, and permit them to AIR DRY – only returning the brushes to the basin in the solution when you are ready to clean records again.
12. If you are NOT saving the washer fluid solution to use again,

remove the brushes, thoroughly rinse with warm water and
press out excess liquid and let the brushes to AIR DRY on top
of the unit.
13. Discard solution and thoroughly rinse basin and rollers with warm water.
14. Once all components are dry, place clean rollers and brushes back into the unit which is now ready for your next cleaning session.

The Make Releasing Debut EP “This Box” July 19th

California based band The Make releases their premiere debut EP immediately after successful single & video release on June 30th. The Make is signed with Suspended Sunrise Recordings, Superbowl MVP Aaron Rodgers’ record label.

Chico, CA, July 14, 2011 –(PR.com)– Suspended Sunrise Recordings has marked Tuesday, July 19th as the official release date for This Box, the debut EP from indie pop upstarts The Make, across digital music platforms including iTunes and Amazon. In celebration of the official release, The Make will be performing a free concert for their fans live on streaming site USTREAM Friday, July 22nd at 6:00 PM Pacific (www.themakemusic.com/ustream).

Following the June 30th release of the band’s first single “Get It”, the accompanying video directed by Sugar Ray bassist Murphy Karges clocked over 30,000 views on the band’s YouTube Channel in a mere 10 days. Shot in a bowling alley near the band’s small Northern California hometown, the vibrant dream brought to life features “infected” dancing cops, showgirls, and cameos by Super Bowl MVP Aaron Rodgers and Ryan Zachary of Suspended Sunrise Recordings. A flurry of interest from new fans prompted SSR and The Make to share more immediately with the release of This Box. Fans looking for an early preview of the record will be able to stream the entire EP starting Monday, July 18th on Absolutepunk.net.

About The Make & Suspended Sunrise Recordings

The Make is comprised of producer and former Number One Gun front man Jeff Schneeweis on vocals/guitar, his longtime Number One Gun bandmate Trevor Sellers on bass, and Sarah Ann from See You Soon on guitar/vocals. Their self-produced debut EP, This Box, merges the band members’ collective influences into an infectious, unabashedly melodic sound that defies genre labels, appealing to any music lover who prefers substance over style.

Suspended Sunrise Recordings (SSR) is an independent label based in San Diego, CA. SSR was created by Green Bay Packers Quarterback Aaron Rodgers and partner Ryan Zachary. Rodgers has said, “A Suspended Sunrise is a cool image because it represents the beginning of a new day. Anything can happen.” This lack of limitations and the abundance of possibilities it creates serves as the driving force behind Suspended Sunrise. Expect the unexpected.

For more information on The Make or Suspended Sunrise Recordings contact Ryan Zachary at SuspendedSunriseRecordings(at)gmail.com.

Nirvana’s Nevermind Getting Huge New Release

Universal Music Enterprises and Universal Strategic Marketing have just announced the 4-CD/1-DVD Super Deluxe Edition of Nirvana’s Nevermind will be available globally on September 19, 2011. The CDs will include previously unreleased tracks, rarities, b-sides, BBC radio appearances, alternative mixes, rare live recordings and an unreleased concert in its entirety on DVD.

Released in September of 1991, Nirvana’s Nevermind garnered near-unanimous praise and rose within a few months to the #1 slot on Billboard’s US sales chart. Nevermind was propelled to #1 across the globe by their young fans worldwide that identified with the band and embraced their anthem “Smells Like Teen Spirit” and its landmark music video. Since then, it has sold more than 30 million albums worldwide.

Universal is also planning to celebrate the anniversary with “various events and releases” throughout the year, according to a statement.

Giving New Meaning to a Dead Album

Music lovers can now be immortalised when they die by having their ashes baked into vinyl records to leave behind for loved ones.

A UK company called And Vinyly is offering people the chance to press their ashes in a vinyl recording of their own voice, their favourite tunes or their last will and testament. Minimalist audiophiles might want to go for the simple option of having no tunes or voiceover, and simply pressing the ashes into the vinyl to result in pops and crackles.

The company was founded by Jason Leach, who co-founded the techno group and record label Subhead in the 1990s and has since founded a number of other labels, including House of Fix, Daftwerk and Death to Vinyl.

Leach explained to Wired.co.uk that there were a number of factors that made him launch the service, including thinking that he was “getting a bit old” and “might not be invincible”. His mother also started working at a funeral directors, which brought the whole funeral process closer to home. A third prompt was when he saw a TV programme that showed someone in America putting their ashes into fireworks, which made him think about how he might want to be remembered. And, he says, “It’s a bit more interesting than being in a pot on a shelf.”

How does it work?
The process of setting human ashes into vinyl involves a very understanding pressing plant. Basically the ashes must be sprinkled onto the raw piece of vinyl (known as a “biscuit” or “puck”) before it is pressed by the plates. This means that when the plates exert their pressure on the vinyl in order to create the grooves, the ashes are pressed into the record.

The site has a very irreverent style and operates under the strapline “live on from beyond the groove”. One of Leach’s family stories, he tells Wired.co.uk, suggests why he has a practical attitude to people’s ashes.

He explains how he went out on a boat with his family members to sprinkle the ashes of his grandfather into the sea. His uncle “released them on the wrong side of the boat and so the ashes went all over us.” Apparently the same thing happened to his father, too!

Where to Find Vinyl Records

Collectors of vinyl records range from audiophiles to geeks and everything in between.  Attend any record convention to watch the Japanese businessman haggle with the face pierced and colorfully tattooed gentleman hawking his vinyl. The sense of peace that purveys these conventions of unlikely comrades is overpowering.

No matter where you fit within this mass of collecting humanity there is one thing

Flipping through vinyl records

You have to flip through a lot of vinyl to find your treasure

all of us have in common. We have discovered the joy vinyl records can bring. Catching the vinyl collector bug is the easy part, finding the gems for your collection is where the fun and frustration start. Knowing where to look makes life easier and with a little luck, your vinyl treasure is closer than you might believe.

Vinyl records are far from dead and the market for new and used records just keeps expanding. Thanks to the many folks who packed away their vinyl in attics and closets after retiring their turntables, there is a constant flow of good quality, used vinyl to be found.

Friends and family

If you are just stepping into vinyl record collecting the first thing to do is let your friends and family know. The majority of used vinyl available today comes from the basements and attics of people who either gave up on the format long ago or folks who collected for decades and are now selling their collection to help finance their retirement. Either way, family and friends can be a goldmine.

When offered free vinyl, regardless of what’s on the records, take it. Every album has some value if it is playable and trading unwanted records for something more to your taste is a great way to get started. My first vinyl records came from family members and many were in good condition but few were ever going to be played in my home. Thankfully, there were people waiting to offer me cash and a discount on anything I wanted from their store. I had hundreds of records to trade in and hauled a stack down to my local Half Price Books every weekend. The value of the records I traded in was generally pretty inconsequential but the discount for trading them in saved me hundreds over a few years.

EBay

The first month I had my turntable, I spent a lot of time scrolling through EBay offerings and I ordered quite a few. I would guess that half where in the condition described and even fewer where properly packaged for the trip across country. In addition, I often found the same record, in better condition, for less shortly after.

I know guys who have had great luck with EBay and I know there are some very good dealers who specialize in vinyl. Much like the local record shops, you are going to pay a little more but identifying these guys can really help with hard to find vinyl. Overall, I stopped looking on EBay but your experience may be better.

Online dealers

In addition to EBay, there are a handful of great online dealers who specialize in quality records and my favorite is recordsbymail.com. recordsbymail.com combs the country for lost stashes of records, millions of records. They update often and have some of the rarest vinyl known to man. They also have just about any album you can think of and they are always in better condition than described.  You may pay a little more here but you are ensured of receiving a disc you can listen to.

 

Record dealers

Some cities have tons of vinyl records and shops while others seem bare. I am lucky, Austin is the home of many used record shops and I make regular trips to flip through their bins. I only buy a small number of my albums from these dealers generally because the cost is not always friendly to my wallet and often I can get the same vinyl for a fraction of the cost. The upside of these dealers is that they are far more likely to have in stock or are capable of finding the more difficult titles on your list.

Record shops, in my experience, are friendly and staffed by knowledgeable employees who often have an encyclopedic recollection of vinyl record history. Let’s face it; if you are working behind the counter of a record store your passion is likely to be high. While we all dream of finding that mythical stockpile of records, these guys actually do it and pass the treasures on to us.

Antique shops

I have found my most treasured albums under a huge pile of antiques. When I entered the store I was pretty certain I was going to be the victim of an antique avalanche. The store was literally filled floor to ceiling with every conceivable item. I was drawn in by the knowledge that they had amassed a pretty big vinyl collection, even if it took some digging to find anything playable. My wife and I flipped through the bins filled with bad 80s music but most of what we found was unplayable. I had noticed a bin of old western music, some country, and old folk but I was really looking for some old blues, in particular any old Alligator pressings.

I eventually asked the older, wild eyed owner if she had any blues albums. She immediately asked if I was going to buy any because she only had a vague idea where they were and she had been piling random crap on top of them for years. I helped her move the piles of random junk. As we continued deeper I was sure anything under this pile was destroyed but alas, the records finally came into view and had been protected by a large table. I walked out with twenty or so blues albums, many of which were from the 50s and 60s, some by musicians I had never heard of. To me, this was a great find.

My point is, don’t dismiss a place because you don’t see what you want immediately, dig a little, ask questions, and become a friend so they will call you if someone shows up with something you might be interested in.

Used bookstores

Used bookstores seem to come in two flavors, those that actively buy and sell vinyl and those who happen to have a few that came along with estate sales.  You never know what you will find in either one and this is where I have filled the majority of common wants in my collection.

The stores that actively trade in vinyl are more likely to buy your unwanted records and have enough knowledge to give you fair value, often little more than a dime but the valuable part is that they will often give you a percentage off future purchases and this can add up.

In general these places have a large number of records and they are cheap, often under two dollars but, unlike the record shop, you are going to have to clean you own vinyl and spend some time looking over the record to ensure it is worth cleaning.

The second type of used bookstore is likely to have found a few records in the book boxes they purchase as a lot. They will probably know nothing about vinyl or its value so you can make great finds here. These places are a long shot however, so unless you are in the area with a little time on your hands, you’re probably better off looking elsewhere.

Conclusion

With a little care and searching you can quickly and inexpensively build your vinyl record collection. Take the time to learn how to spot bad records and how to clean what you find and you will be looking for additional room for your expanding collection in no time.

If you came across the ultimate record fine, share your story here so others can learn from and share your experience.

Free Vinyl Record Collection Template

Keeping track of your vinyl record collection is easy with the right tools. I created a simple Excel worksheet that includes an easy to understand collection sheet with drop down boxes for genre and record speed. In addition it has separate sheets for ordered and wanted vinyl records, records that need cleaning, and records that need a heavy cleaning.

No need for any fancy software and the Excel format is easy to view on your iPhone or other portable device.

To change the available items in a drop down box see this easy tutorial.

Download the Excel 2007 + file Here or the 97-2003 version Here.

Basic Guide to Budget Turntables

technicas sl1200

Buying your first turntable on a budget is easier than most people believe. Used turntables from the 70s and early 80s are found online, Goodwill, in the attic of friends and family, and garage sales. In general these turntables are almost bulletproof and even with the added cost of a new cartridge offer better quality and sound than the current crop of budget turntables available.

A favorite among audiophiles is the Technics SL 1200. A direct drive unit with above average sound quality and a level of endurance that makes it a staple with your local D.J. These monsters seem to be indestructible and were built over many decades so they are easy to find, easy to find parts for, and easy to repair if necessary

In general I advise against buying USB turntables. While the idea of plug and play is attractive, these tables can be of such poor quality that they damage the vinyl records they play. The added cost of including USB capability means they had to cut the quality of the overall table and phono amp. Save yourself the pain and either spend a little more or find a used table. If recording your vinyl records to a digital format is important to you it is better to invest in a good soundcard like the Xonar ST or STX for recording.

One important factor in getting the most out of whatever turntable you choose is setting it up on a solid, vibration free rack or shelf. The importance of doing so will not only keep you from pulling out your head when your needle bounces around your records, it is imperative to the sound. Vibrations caused by bass from speakers, footsteps, or closing doors can easily alter the sound in terrible ways.

Building a shelf and mounting it into wall studs is a great way to remove unwanted vibrations but there are hundreds of solutions available from the very cheap to the outrageously expensive.

Watch for more in-depth articles related to turntables selection.